Selling out has rarely
sounded so good.
In late 2010, an
unknown artist known as The Weeknd slinked onto music blogs and into R&B
fans' playlists with his gloomy, carnal love songs. Through the power of
word-of-mouth, the evasive troubadour (real name: Abel Tesfaye) gained an early
champion in rap titan Drake and played sold-out shows years before his formal
debut album, 2013's Kiss Land, hit. And yet, his brooding sound and private
persona stymied him from ever crossing over into the mainstream.
That all changed this
past year, with well-placed contributions to the Fifty Shades of Grey
soundtrack and an enviable feature on Ariana Grande's top-10 hit Love Me
Harder. With pop super-producers Max Martin and Peter Svensson behind him, The
Weeknd has since charted three top-five smashes of his own — including the
Michael Jackson-channeling Can't Feel My Face, which grooved to No. 1 on the
Billboard Hot 100 singles chart this month. He also got what may be 2015's
closest thing to a career coronation: a Face duet with Taylor Swift on her 1989
World Tour this summer.
Which brings us to The
Weeknd's second album, Beauty Behind the Madness, arriving Friday with the
weight of expectations on its shoulders. Is this truly the bedroom-soundtrack
Messiah we've waited for, or did he lose his touch somewhere on the road to
global dominance? The latter, if his polished, but regrettably soulless Beauty
(** out of four) is any indication.
"Tell 'em this boy
wasn't made for lovin' / tell 'em this heart doesn't stay to one, " the
album's stilted, stadium-rock opener Real Life begins, setting the tone for the
emotional whiplash The Weeknd subjects himself and others to throughout its 14
tracks. On the wish-fulfillment As You Are, he's something of a musical Magic
Mike: crooning over sleepy synths how he'll take a lover despite all her scars
and flaws, only to backtrack three songs later on the mawkish Angel, admitting
he's a sinner and wishing her luck in finding someone new. In The Weeknd's
world, love is messy, but it's also riddled with clichés, as he recycles tired
braggadocio about chasing money, girls and parties nearly every song.
Where Beauty finds
salvation is in its starry guest roster. Although the seemingly well-matched
Lana Del Rey doesn't ignite sparks on Prisoner, crackling guitar duet Dark
Times with Ed Sheeran is a first-class ticket to Swoon City. On the
Labrinth-assisted Losers, The Weeknd maneuvers a sulky, percussive EDM banger
with surprising aplomb, while Kanye West steps in as producer/backup vocalist
for Tell Your Friends, a downtempo piano ballad sampling Soul Dog's Can't Stop
Loving You.
Familiar hits Face, The
Hills and Often are welcome in the jumble, although they add to the notion that
Beauty is less a cohesive album than an incubator for future singles. And maybe
there's nothing really wrong with that — after all, he's earned it.
Patrick Ryan, USA TODAY
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