THE
ROSETTA STONE & THE 4 RACES OF MANKIND
Copyright
Naomi Astral © 2012
Mdju
Netjer [Medu Neter] is ancient Egyptian writing [hieroglyphics] meaning; ‘words
of the gods’
There
are many who say that the priests of ancient Kemet/Egypt told Plato that the
ruins of Atlantis lay beneath the temples and ruins of Cairo and that a new age
and massive flooding had prompted the building of a new city - information the
secret societies hold.
When
the Europeans/Phonecians/Scythans/Hyskos invaded Kemet 2,000 years ago [and
much later, the Arabs], none of the Nubian Egyptians would teach the invaders
how to read and write Egyptian hieroglyphics – this was considered too
dangerous regarding advanced technologies.
It
took Europeans 2,000 years to finally learn how to read Egyptian hieroglyphics
after one of Napoleon's 'visits' to Egypt in the late 1700’s and his soldiers
looted Egypt. One of his soldiers found what is known as the Rosetta Stone – so
the story goes anyhow - which was written in three languages. the Rosetta Stone
not only gave birth to Egyptology but transformed the European way of life when
they finally deciphered the science written in stone and on papyrus.
It
was only until relatively recently that ordinary people could learn Egyptian
hieroglyphs for themselves as scholars and universities virtually kept it
secret.
Diop
noted that Napoleon was horrified from what he learned about the origins of the
the Hyskos race through the his-story recorded by the Egyptians and blew the
face off the great Sphinx.
Within
50 years of Champollion completing his translations of the stone, there was a
technology boom in Europe, electricity, cars, TV and an entire industrial
revolution. Although many attribute these inventions to scientists such
as, Nikolai Tesla, he had access to the
Vatican archives which stores much of the looted treasures from Egypt...you
don't get access to the Vatican archives unless you're 'one of them' - is this
all a coincidence? click here: Nikola
Tesla - an alternative view
Europeans
had apparently lived for thousands of years maintaining a similar lifestyle and
very few new inventions, living in villages and farm land, using a horse and
cart. The Rosetta Stone was found in 1799 and during the 1800's [19th century]
the word 'SCIENTIST' is used for the
first time, coined by William Whewell in 1833. During the 1800's the following
inventions were introduced to the 19th century giving birth to the industrial
revolution:
Steel,
petroleum products, machinery, internal combustion engines, motor vehicles,
sewing machines, telephone, typewriter, light bulbs, steam locomotives,
electricity, stethoscope, fiber optics, elevator, plastics, phonograph,
smokeless gunpowder, dynamite, motion pictures, surgical anaesthesia , steam
boat, rubber technology, water turbine, microphone, fuel cell, saxophone,
hydraulic crane, steam powered
submarine, incandescent lamp, standard universal time, contact lens, brown
paper bags, dish washer, pneumatic tyre, machine gun, thermos flask, x-ray
machine, weapons of mass destruction....a fuller list would take up the entire
page.
The
Rosetta Stone on a pedestal in the British Museum.
THE
ANCIENT CITY OF ABYDOS
Abydos
is one of the ancient cities of upper Egypt situated near the modern towns of
el-Araba, el Madfuna and al-Balyana. In ancient Kemet, it was called, Abdju
meaning, 'the hill of the symbol of reliquary' which is a reference to the
reliquaryin in which the sacred head of Osiris was preserved.
The
site is considered one of the most sacred as it is the site of the many
magnificent temples where the early kings were entombed. Today, Abydos is
notable for the memorial tonb of Seti 1.
There
has been a systematic destruction and looting of ancient Kemet by invaders,
treasure hunters and explorers and none have done more damage than the
Europeans and Arabs including the present government. The Arabs who invaded
ancient Kemet 500 years ago despised the Egyptian gods and spirituality; they
viewed all images of the gods as deeply offensive to Allah and had no interest
in the preservation of its culture and no issues with destroying and defacing
the ancient temples and frescos, which continues today under a joint leadership
of western governments [see Zahi Hawass article on my site] - this has been
well documented by many researchers and Egyptologists.
THE
FAKE ARTEFACTS INDUSTRY LED BY MUSEUMS
People
generally are ignorant about museum artefacts and have no idea that museums
will often display works of art which are either fake and more often copies of
the original. Whether it's a King Tut tour or a new find - the artefacts are
rarely the originals and the 'originals' have often been 'tampered' with during
what they refer to as, 'restoration' before the public can view them. The
problem is, that when it comes to ancient Egyptian and other artefacts from
classical his-story, they often end up looking nothing like the original [an
article on how they 'restore' and tamper with artefacts coming soon, but in the
meantime, see my article on 'Nefertiti bust is a fake'] The truth has little
impact on someone who loves the lie and cherishes and nurtures it. They simply
go into cognitive dissonance mode. Similar to when someone is given the
evidence that 9/11 was an inside job - they might assimilate the information
and even find it agreeable but as soon as someone mentions 'terrorism' - they
revert back to previous programming - forgetting what they have learned and
accuse Muslims or al-Qaeda of any perceived threat. This is why it's so
important when searching for 'truth' to begin with a clean sheet regarding
previous belief systems which are usually based on what other people believe -
created by reality manufacturers and social engineering. When we view
information without any preconceived notions, we can view the evidence without
prejudice. Most people dismiss information and idea without ever considering
the evidence - from all perspectives and not from only one source.
WHAT
IS COGNITIVE DISSONANCE?
'..Sometimes
people hold a core belief which is very strong. When they are presented with
evidence that works against that belief, the new evidence cannot be accepted.
It would created a feeling that is extremely uncomfortable, called 'cognitive
dissonance'. And because it's so important to protect the core belief, they
will rationalise, ignore and even deny anything which doesn't fit in with the
core belief..' - Frantz Fanon
HIS-STORY
OF THE ROSETTA STONE
Europeans
had not been able to read Medu Neter [Egyptian hieroglyphics] - which means,
'words of the gods' - until Napoleon and his army looted Egypt in 1799. His
soldiers found what is known as the Rosetta Stone which was written in three
languages. The French scholar, Jean-Francois Champollion was able to translate
Medu Neta into French using this stone.
WHO
WAS CHAMPOLLION?
Champollion
lived with his brother in Grenoble for several years and even as a child showed
an extraordinary linguistic talent. By the age of 16 he had mastered a dozen
languages and had read a paper before the Grenoble Academy concerning the
Coptic language. By 20 he could also speak Latin, Greek Hebrew, Amharic,
Sanskrit, Avestan, Pahlavi, Syriac, Chaldean, Persian and Ge'ez in addition to
his native French.in 1809, he became assistant-professor of History at Grenoble
University. His interest in oriental languages, especially Coptic, led to his
being entrusted with the task of deciphering the writing discovered on the
Rosetta Stone and he spent the years 1822-1824 on this task. His work 'Precis
du systeme hieroglyphiqe' gave birth to the entire field of modern Egyptology.
He aslo identified the importance of the 'Turin King List' and date the
'Dendera Zodiac' to the Roman period. His interest in Egyptology was originally
inspired by Napoleon's Egyptian campaigns [1798-1801]. Champollion was
subsequently made professor of Egyptology at the College de France. Champollion
finally published the first correct translation and the key to reading Egyptian
heiroglyphs in 1822. He died in 1832 aged 41.
http://en.wikipedia.org/wiki/Jean-Fran%C3%A7ois_Champollion
CHAMPOLLION
ON THE LEFT 1800'S
TESLA
& THE EXPLOSION IN EUROPEAN TECHNOLOGIES AFTER FINDING THE ROSETTA STONE
During
the 1800's, there was an explosion of European science and technologies. I find
it a staggering coincidence that European technology made little progress after
thousands of years and then suddenly blossoms following the translation of
ancient texts from Egypt. Even Nikola Tesla is said to have had access to
Vatican archives and ancient Egyptian scientific texts. Tesla had a
photographic memory and an insane ability to visualise the most complex pieces
of machinery, so even a peek at the Dendra 'light bulb' or the 'Baghdad
battery' would allow Tesla to visualise these diagrams in 3D with a direction
of energy and its origin. Who knows just how much Tesla learned from his visits
to the Vatican archives? but one thing's for sure; he did get access to these
archives and viewed ancient Egyptian texts. It's possible that he owes much of
his knowledge from what he learned from the ancient Egyptians.
BIRTH
OF THE NEW-AGE & ESOTERIC SOCIETIES
There
wasn't just an explosion in the sciences either, there was a new understanding
of esoteric knowledge and people such as the Russian noble - Madam Blavatsky,
Edgar Cayce, Aleister Crowley with his Enochian magick and 'Astarie children'
and the birthing of the new age and the channelling of 'ascended masters' - the
gods and priests of ancient Kemet. The Freemasons and other cults referred to
Kemet knowledge as, 'mysteries' due to the complexity and diversity of the
material; but the Egyptian's themselves never referred to this knowledge as
'mysterious' they simply called them, 'sciences'. The word 'scientist' was used
for the first time in the 1800's by Europeans. There were no hidden mystery
schools in Egypt, only temple Universities available even to foreign students.
The classical Greek period owes most of its knowledge to ancient Egypt which is
clear when you read the accounts of Plato and the many others who attended
Kemet universities.
SOME
FAMOUS HISTORICAL FIGURES WHO WERE TAUGHT IN KEMET UNIVERSITIES
I
will be covering the subject of 'classical scholars who were educated in
ancient Kemet universities' in a separate article as it is so profound and
extensive that I couldn't possible do the subject justice here. When I've
completed that article, I will post a hyperlink to it here for those who are
interested - but for now; I'm going to give an overview of just a few of the
ancient Greeks who were educated in African universities. Anyone of any note,
fame or intellect was not considered fully educated until they had spent some
time in Kemet. This education/knowledge is what all secret societies,
occultists and channellers are based on, including new-age beliefs and their
ascended masters - the Galactic Federation to boot.
The
documentation of Greek and Roman scholars who were educated in the temple
universities of Kemet has been well documented. A few of these scholars
include; Plato, Hippocrates, Homer, Thales, Pythagoras and Socrates [and many
many more]. They spent a number of years in temple universities such as Waset
and Ipet-Isut.
In
Kemet, Hippocrates, [the father of medicine according the Greeks, learned of
disease from the previous teachings of Imhotep, who established diagnostic
medicine 2,500 years earlier. In Kemet, Pythagoras, [the father of mathematics
according to the Greeks] learned calculus and geometry from the Kemetic priests
based on a millennia old papyrus. The Greeks spoke extensively about their time
in Kemet and even accused eachother of plagiarising works from Egypt.
The
Kemet education was meant to last 40 years, although no Greek scholar is known
to have completed the program. Pythagoras is believed to have made it the
furthest, having studied in Kemet for 23 years.
Plato
spent several years in Kemet and described it as a mystery system based upon a
wide array of knowledge including; maths, science, writing, physical science.
and the supernatural. He stated that the aspect of the system that best
represents this merger of religion and science is Ma'at.
When
Africans finished building the pyramids in 2500 BC [they're possibly much older
than that] -it was 1,700 years before Homer, the first Greek writer began
writing, 'The Iliad', the European classic. Homer is said to have spent 7 years
in Kemet studying philosophy, astronomy, politics, law and religion. Many of
the ancient Greeks studied in Kemet as it was viewed as the educational capital
of the ancient world. When Socrates wrote of his studies in the book, Bucyrus,
he stated categorically; 'I studied philosophy and medicine in Egypt'.
None
of these ancient Greeks claimed that they or any other European were of ancient
Egyptian descent. These Eurocentric notions have their roots in the 1800's
after the Rosetta Stone was found and a full understanding was gained about how
the Egyptians viewed Europeans. The new Egyptologist were also horrified that
the ancient Egyptians were of African origin when slavery was still in full
swing. They set about defacing artefacts and concealing the identity of the
Egyptians.
There
are many other sources which deal with the subject of race and the 'Tamahu'
which was the name the ancients gave to the European who was clearly depicted
with white skin adoring the tattoos which the Germanic races/Goths/Skythians
who came from Europe. The ancient Greeks and Romans also distinguished
themselves apart from the Germanic tribes until they were invaded by them and
replaced as an indigenous population.
It
is very clear when you read European his-story, how confusing the accounts are.
There is no agreement or consensus of European his-story during the classical
period, let alone before that time. What is known about Europe is that
classical Greece and Rome viewed Europeans as barbaric tribes - as depicted by
the ancient Egyptians. This was something Europeans scholars were unable to
accept, so they set about fabricating their own past which becomes clear when
you study the many differing accounts of European his-story. And much of it has
been concealed but there is still enough evidence to know for sure that they were
not ancient Egyptians, they were a white race who came from Europe who the
Egyptians called the Tamahu.
Since
the 1800's there has been a plethora of new religions, [Mormons, Jehovah's
Witnesses, Galactic Federation and many more], cults and societies rooted in
Madam Blavadsky's teachings and others, which has become popular with new-age
movements who totally rely upon the channelled information based upon an elite
who fantasise that they were ancient Egyptians. They have taken the identity,
religion, occult and gods of ancient Egypt, attempting to 'walk and talk like
an Egyptian' - about recreating a new glorious past for the Aryan race.
Interesting
too, that these Germanic tribes have taken on the identity of all those they
have conquered - they first invaded Europe [they are not indigenous to Europe]
and became known as the Phonecians, who they conquered, the Skythians, Turks
and many other tribes...and totally unknown until they invaded ancient Rome and
Greece - and 'no' they did not come from Atlantis.
THE
EGYPTIAN 4 RACES OF MAN IS A FAKE
The
4 races of man - which people often use as evidence that the ancient Egyptians
were European or held in high regard, was made by a French artist called
Heinrick von Minutoli in 1820 - it was supposed to be an interpretation from
the 'tomb of Seti 1.' but actually looks nothing like the real fresco [see
below]- this seemed to become a standard where reproductions of the originals
were being replaced by European-looking Egyptians, lightening the skin tones and
filing down the noses on sculptures. This has been happening on a mass scale
but there's still enough evidence to demonstrate effectively where the truth
lies. The Egyptians wrote their his-story in stone and they were very clear
about their own identity and those of the European.
Not
only is the 4 races of man a fake, they actually used to teach - and still do
that number 1 is Libyan and number 3 is a white Egyptian.
The
4 races of man above looks absolutely nothing like the real fresco from the
tomb of Seti 1. because they have photographs which were taken from the tomb.
Incidentally, they destroyed this tomb [calling it restoration] it was
completely demolished and rebuilt - according to a lot of witnesses and
sources, there was just too much explosive information there and not good for
those who can now read Medu Neter for themselves, below is a photograph of the
real 4 races of man before they demolished the temple in the 1980's.
Here's
the real fresco from the book of gates [the 4 races of man] from the tomb of
Seti 1.
Here
is another depiction of the 4 races of man, the Egyptians often showed the same
order when depicting the races,
None
of ancient scholars from classical antiquity claimed that Europeans were any
relation to the ancient Egyptians or their descendants. This has been a slow
movement since the beginning of Egyptology in the 1800's but has its roots in
the Ashkenazi Jews who have done everything to destroy African/Egyptian culture
and the peoples which it has coveted for thousands of years. Beginning with the
false account of Egypt enslaving
Jews. The bible is full of scriptures
demonising the Egyptians and presenting themselves as the victims. [see my
article on 'Biblical lies about ancient Egypt].
As
early as 233 BC [18th dynasty] the Egyptians continuously represented the two
groups of their own race in a manner that could not possibly be con-fused by
anybody. Moreover, the order in which the 4 races then known to the Egyptians
were, [Kemmui,Nahasi, Namou, and Tahmaou]- they are consistently arranged in
relation to the god, Horus - also bestowed on them their social hierarchy.
'THE
TAMAHOU IS THE EUROPEAN' - SAID
CHAMPOLLION
Champollion
affirmed this in his letter to his brother and wrote:
"...Right
in the valley of Biban-el-Moluk we admired, like all previous visitors, the
astonishing freshness of the paintings and the fine sculptures on several
tombs. I had a copy made of the peoples represented on the bas-reliefs. At
first I had thought from the copies of these bas-reliefs published in England,
that these peoples of different races led by the god Horus holding his
shepherd's staff, were indeed nations subject to the rule of the Pharaohs. A
study of the legends informed me that this tableau has a more general meaning.
It portrays the third hour of the day, when the sun is beginning to turn on its
burning rays, warming all the inhabited countries of our hemisphere. According
to the legend itself, they wished to represent the inhabitants of Egypt and
those of foreign lands. Thus we have before our eyes the image of the various
races of man known to the Egyptians.
And
we learn at the same time the great geographical or ethnographica divisions
established during that early epoch. Men led by Horus, the shepherd of the
peoples, belong to four distinct families. The first, the one closest to the
god, has a dark red colour, a well-proportioned body, kind face, nose slightly
aquiline, long braided hair, and is dressed in white. The legends designate
this species as Rt-en-ne-Rme, the race of men par excellence i.e. the
Egyptians.
They
can be no uncertainty about the racial identity of the man who comes next: he
belongs to the Black race, designated under the general term, Nahasi. The third
presents a very different aspect; his skin colour borders on yellow or tan, he
has a strongly aquiline nose, thick, black pointed beard and wears a short
garment of varied colours; these are called, Namou.
Finally,
the last one is what we call flesh-coloured, a white skin of the most delicate
shade, a nose straight or slightly arched, blue eyes, blond or reddish beard,
tall stature and very slender clad in a hairy ox-skin, a veritable savage
tattooed [see my article on European Goths] on various parts of his body, he is
called, Tamahou.
I
hasten to seek the tableau corresponding to this one in the other royal tombs
and, as a matter of fact, I found it in several. The variations I observed
fully convinced me that they had tried to represent here the inhabitants of the
four corners of the earth, according to the Egyptian system, namely;
The
inhabitants of Egypt which, by itself formed one part of the world
The
inhabitants of Africa proper: Blacks
Asians
Finally
[and I am ashamed to say so, since our race is the last and the most savage in
the series]. Europeans who, in those remote epochs, frankly did not cut too
fine a figure in the world.
In
this category we must include all blonds and white-skinned people living not
only in Europe, but Asia as well, their starting point. This manner of viewing
the tableau is all the more accurate because, on the other tombs, the same
generic names appear, always in the same order. We find there, Egyptians and
Africans represented in the same way, which could not be otherwise; but the
Namou [the Asians] and the Tamahou [Europeans] present significant and curious
variants. Instead of the Arab or the Jew, dressed simply and represented on one
tomb, Asian's representatives on other tombs [those of Ramases 11 ect] are
three individuals, tanned complexion, aquiline nose, black eyes, and thick
beard but clad in rare splendour.
In
one, they are evidently Assyrians, their costume, down to the smallest detail,
is identical with that of personages engraved on Assyrian cylinders. In the
other, are Medes or early inhabitants of some part of Persia. Their physiognomy
and dress resemble, feature for feature, those found on monuments called,
Persepolitan. Thus, Asia was represented indiscriminately by any one of the
peoples who inhabited it.
The
same is true of our good old ancestors, the Tamahou. Their attire is sometimes
different; their heads are more or less hairy and adorned with various
ornaments; their savage dress varies somewhat in form, but their white
complexion, their eyes and beard all preserve the character of a race apart. I
had this strange ethnographical series copied and coloured. I certainly did not
expect, on arriving at Biban-el-Moluk, to find sculptures that could serve as
vignettes for the history of the primitive Europeans, if ever one has the courage
to attempt it, nevertheless, there is something flattering and consoling in
seeming them, since they make us appreciate the progress we have subsequently
achieved..."
-
Champollion
